A California Online Magazine with Local Focus and Global Appeal
For the past seven months, we’ve been on a seemingly never-ending emotional roller coaster ride and for many, these feelings have become commonplace. We’ve been bombarded from all directions by social unrest, political upheaval, international health crises, natural disasters, and deep personal loss. Our schedules, diets and sleep cycles have been disrupted. In short, the world has been thrown for a loop.
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In the current state of our world everyone is having to be creative, and the entertainment industry has done an amazing job of that. Some theatre companies are managing to put on shows using Zoom or YouTube, musicians are doing online concerts, there are virtual tours through museums, conventions are having streaming panels, and art galleries are also having virtual exhibits. Spectrum Art Gallery in Fresno is currently having an online exhibit called Stay @ Home and we chatted with their current curator Jesse Merrell recently to learn more about it. Jesse is also on the Board of Directors and heads the Exhibition Committee.
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The Rogue Festival is here! You can find all of our Rogue Festival articles, and our upcoming show reviews in our Rogue Festival section! We will be posting reviews throughout the festival.
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Going Rogue.
In zoology, it’s an elephant going against the herd and attacking man and animal alike. In politics, it means breaking party lines and going against the rules. In Fresno, it’s having a good time, going to a bunch of shows in the Tower District in March.
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A languid tear rolls down the young man’s rugged face.
“My daughter loves these videos,” says my friend, holding her phone in front of my eyes. “She’s transfixed by the feeling.”
That was the teardrop of an idea that became my one-woman play, Freeloader in the House of Love, which opens on Friday, March 6 at 6:45 at Goldstein’s at the Fresno Rogue Festival. The show won the SOLD OUT Award at the San Francisco Fringe and BEST STORY Award at the Boulder Fringe.
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Suppose you were an Englishwoman in 1922, vaguely unsatisfied with your marriage, and you saw an ad for an Italian castle for rent for the month of April? Wouldn’t that intrigue you?
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Growing up in a very religious Orthodox Jewish family, I didn’t know any non-Jews until I got to college. However, I was lucky enough to have an uncle who made me watch Sunday morning televangelists. He thought it was ludicrous, absurd theater, and I sat there transfixed and inspired. As a kid, I would jokingly lay hands on and provide healings to my friends.
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At the age of 7, I, Eric Hiett, became fascinated with magic. Owning a couple books, I was able to put a show together to perform before some friends in the neighborhood. My first real show was when I was twelve and in the eighth grade and performed before the entire school. Everything went wrong and ended up more as a comedy show than a magic show. I continued practicing magic and when I entered college, I was performing before fraternities, sororities, and other college organization.
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This memoir with legs charts Lafferty’s ongoing war with gravity—stories centered around a box [?] and inspired by her lifelong impatience, klutziness, and second-guessing.
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Eleanor O’Brien is bringing her risqué and provocative solo show How to Really, Really? Really! Love a Woman to the Rogue Festival. O’Brien is new to the Rogue, but not new to touring fringe festivals. She is the artistic director of Portland-based sex-positive theater company Dance Naked Productions, and has been making shows about sexuality since 2005.
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We’ve all heard of book clubs, and often see photos of people enjoying books and coffee, or books and tea, but what about books and beer? Marissa Raigoza is part of a group that asked that same question and came up with Books, Beers, and Buddies in Fresno who meet at Goldstein’s Mortuary & Delicatessen. KRL took some time to sit down and chat with her about this interesting idea.
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“The first time Jesus made love to me, I was twelve years old.”
This was the original opening line of my new solo performance show, Portrait of the Heretic as a Young Woman, debuting at the Rogue Festival this year. And while this line now makes its appearance two-thirds of the way through the show, it still encapsulates the driving force behind my journey in Portrait.
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Victorian Seance Revisited is a theatrical representation of a traditional nineteenth-century seance. I created the show in order to share with the general public what it feels like to be in a traditional seance. The seance as we perceive it today was born in the United States in the 1850s and is an important piece of American history. I attended my first seance with my grandparents when I was five.
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Roust Theatre Company is based in New York City, and we are very excited to be part of The Rogue Festival for the first time as it celebrates its eighteenth anniversary. We have always had a strong and special connection with Fresno. Roust’s co-founder, Tracy Hostmyer, grew up here, went to Fresno State with one of Rogue’s founders, Marcel Nunis, and started her acting career with Good Company Players & Second Space.
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