Neon Yang’s The Black Tides of Heaven: Slackcraft and Gender Choice
by Sharon Tucker
I’m not quite sure what I expected when reading Neon Yang’s The Black Tides of Heaven (2017). Terms like silkpunk and Asian fantasy/mythology were running through my head, but other than a passing acquaintance with Zen koans, the Tao te Ching, and the Mahabarata, I was in unfamiliar waters. I soon learned that “Silkpunk” is the term writer Ken Liu has coined for the genre of a “very specific technology and literary aesthetic” blending magic and technology in an Asian setting.
