Ann Cleeves’ DI Jimmy Perez: Page and Screen
by Sharon Tucker
As we know, translation from the page to the stage is problematic. We readers are notorious for our loyalty to the ‘mise en scene’ in our heads, not to mention ideas about everything else from the characters’ appearances to following the books’ plots to the letter. Some novels are an easier go-to script because they are written with the object of production in mind and read almost like a screenplay already. However, this was not the case with the Shetland novels of Ann Cleeves.
