Only the Good Die Young: Crime Fiction Inspired by the Songs of Billy Joel Edited by Josh Pachter
by Sandra Murphy
The anthology kicks off with Why Judy Why written by Robert Lopresti. Judith finds herself sitting in a police interrogation room, being grilled by two detectives. She seems cooperative enough about what she’s done, but the detectives aren’t clear about one thing: motive. They keep asking, “Why, Judy, why?”, but even if she tells them, they’ll never understand.
