Only the Good Die Young: Crime Fiction Inspired by the Songs of Billy Joel Edited by Josh Pachter
The anthology kicks off with Why Judy Why written by Robert Lopresti. Judith finds herself sitting in a police interrogation room, being grilled by two detectives. She seems cooperative enough about what she’s done, but the detectives aren’t clear about one thing: motive. They keep asking, “Why, Judy, why?”, but even if she tells them, they’ll never understand.