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James Garner

by Deborah Harter Williams



It was 1974 and the television industry was coming off of a three-month writers’ strike. Stephen J. Cannell was working on police drama, Toma (Tony Musante) when he and Executive Producer Roy Huggins (Maverick, 77 Sunset Strip, The Fugitive) realized that they had a problem. Though they were producing as fast as they could to make up time, the fifth episode was going to be in the lab when it was supposed to be on the air.

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