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Terrance V. Mc Arthur

by Terrance McArthur


You know how, once in a while, you come across a book that makes you think, “What a great idea! Why didn’t I think of that?”
You know how, once in a while, you come across a writer who makes you think, “This is so good! Why can’t I put ideas together that well?”

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by Terrance McArthur



Some families say “I love you.” Some families don’t. Some say it, but without words. In Joe DiPietro’s Over the River and Through the Woods, now playing at the Reedley Opera House, love is expressed in food. You feed the ones you love. Lasagna or a sandwich, it’s all love.

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by Terrance Mc Arthur


Sometimes, it’s new. Sometimes, it’s been there a while, and you just haven’t had a good reason to go there. Sometimes, you never noticed it, before, and you wonder if it popped up overnight, and will magically disappear tomorrow. I tried some of those, lately. Here’s what happened.

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by Terrance McArthur


Sometimes, a fantasy is too good to look at from only one viewpoint. It cries out to be viewed from another angle.
Marshall Ryan Maresca created the otherworldly city of Maradaine for The Thorn of Dentonhill, a novel about a schoolboy/mage/superhero/avenger, a character followed in The Alchemy of Chaos. That academia/magic/underworld blend wasn’t enough, so Maresca took another look at the city, creating a male/female police detective duo with paranormal aspects for A Murder of Mages and An Import of Intrigue.

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by Terrance McArthur



Did you ever wonder how Peter Pan, Captain Hook, and Tinkerbell got to be what they were, and how they all got to Neverland? Dave Barry and Ridley Pearson did, and they wrote Peter and the Starcatcher. Rick Elice adapted it, with music by Wayne Barker, for the stage as Peter and the Starcatcher, and it now sails into Roger Rocka’s Dinner Theatre as a Good Company Players production, helmed by Emily Pessano as director.

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by Terrance McArthur


Mari, of a wandering clan, can turn feline. She wants revenge on the man who unleashed ghosts that killed her family and kinfolk. He is known as the Dead’s Man.
Tris was born dead, but lived. Now, he can battle and banish ghosts. He is known as the Dead’s Man.
Tris and Mari were made for each other.

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HMS Pinafore: On Stage at 2nd Space

IN THE March 20 ISSUE

FROM THE 2017 Articles,
andTerrance V. Mc Arthur,
andTheatre
SECTIONS

by Terrance McArthur



Political crony rewards and class division: the stuff of which today’s headlines are made. Who would expect to find these themes in an operetta that’s almost 150 years old?
Gilbert & Sullivan’s H.M.S. Pinafore—or—The Lass That Loved a Sailor has sailed into port at the Good Company Players’ 2nd Space Theatre, 928 E. Olive Avenue, docking there through April 23. Director J. Daniel Herring has recruited a crew of powerful leads to set forth on the familiar waters.

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by KRL Staff



Throughout the week we will be posting reviews here of Rogue shows! Check back several times a day! And then go out and enjoy the Rogue Festival! To check out our Rogue preview article & some Rogue performer preview articles go to our Arts & Entertainment section. We will also be posting some performer video interviews on our YouTube Channel. So far we have reviews of Joy Compactor, Tidal Surge, Dances to Heal the Soul, Poetry and Prose From Fresno State, Too Old To Be This Young, Delirium, The Magic of Elder, Discrete Packets of Song, My Cat Thinks It’s A Pig, The Wallaby Way, Joan of Sn’arc, Moonlight After Midnight, A Fatal Step, Thanks For Coming, Healing Stories, Chelsea > Blake, and Stalking Grace.

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by Terrance Mc Arthur


Murder.
It’s not a pretty thing, yet we have a fascination with it. Thousands of mystery novels, movies, and television shows reveal whodunit, howdunit, and whydunit. Reality shows analyze the deaths, the investigations, the captures, and the trials. Usually, it’s men who kill, but there are times when a woman takes a life.

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by Terrance McArthur



A jukebox musical is a stage show put together from previously released material from a singer (Buddy: The Buddy Holly Musical), songwriter(s) (Mama Mia!—songs by ABBA), or era (Rock of Ages—80s glam rock). River City Theatre Company fills the Reedley Opera House with Ring of Fire: the Songs of Johnny Cash through February 26.

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by Terrance Mc Arthur


Tamales—friendly little bundles of cornmeal and good stuff, wrapped and steamed in corn husks. Yummy stuff, and that is the subject of this Great Food Search. I go out to restaurants and other food venues, reporting what is best and what’s the rest.

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by Terrance McArthur



Before his death in a 1935 airplane crash, Will Rogers was the original King of All Media: stage (vaudeville and the Ziegfeld Follies), his newspaper column, radio, and film (silent and talkie), a combination of Dave Barry, Jeff Foxworthy, and Stephen Colbert. Even though he died more than 80 years ago, many of his political and social jokes still ring true.

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by Terrence McArthur


Keri Arthur started her Outcast series of novels with City of Light, Winter Halo continues the story. Children are missing, female guards are attacked and disappearing at a massive pharma-tech company, and Tiger is on the hunt to solve the mystery.

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Blithe Spirit On Stage at 2nd Space

IN THE January 18 ISSUE

FROM THE 2017 Articles,
andTerrance V. Mc Arthur,
andTheatre
SECTIONS

by Terrance McArthur



Percy Bysshe Shelley wrote that, and Noel Coward borrowed it in 1941 for the title of his play Blithe Spirit. Now, Coward’s play is at the Good Company Players’ 2nd Space Theatre through February 26.

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by Terrance McArthur


Nell Ingram feels the earth, is healed by the earth, and gets things to grow. She can even feed a person’s life force into the earth until they die. She was an outcast of the polygamous cult where she was born, but now she has friends, her teammates in the paranormal arm of Homeland Security. In Faith Hunter’s second Soulwood book, Curse on the Land, Nell is back from training.

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by Terrance McArthur



A young girl sings about bluebirds flying over the rainbow, and you know there’s a twister just around the corner. The Wizard of Oz has landed at the Reedley Opera House for the River City Theatre Company, and it’s a smooth landing for everyone but the Wicked Witch of the East (By the way, kudos to director Joseph Ham for staging a ruby slipper transfer worthy of a David Copperfield magic special.).

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